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A MAZE IN ZAZAZA ENTERS AZAZAZ AZAZAZAZAZAZAZZAZAZAZAZAZAZA ZAZAZAZAZAZAZAZAZAAZAZAZAZAZAZAZAZAZ THE MAGICALALPHABET ABCDEFGHIJKLMNOPQRSTUVWXYZZYXWVUTSRQPONMLKJIHGFEDCBA 12345678910111213141516171819202122232425262625242322212019181716151413121110987654321
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS” "Pythagoras, the old master philosopher and mathematician, who lived in the sixth century BC, propounded the theory that nothing in the universe could exist without numbers. He established a Mystery School in Italy when he was 52 years old. He was born in Greece and lived between 582 and 507 BC, much of his life spent in study and travel. His Mystery School taught esoteric knowledge, which included the secret of number and vibration." “The World is built upon the power of Numbers” ...Pythagoras – 6th century BC.
“THE WORLD IS BUILT UPON THE POWER OF NUMBERS”
THE LAWS OF NATURE ARE WRITTEN IN THE LANGUAGE OF MATHEMATICS Galileo Galilei (1564-1642)
THE LAWS OF NATURE ARE WRITTEN IN THE LANGUAGE OF MATHEMATICS Galileo Galilei (1564-1642)
FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 490 Library angels The missing piece of the puzzle "The novelist Arthur Koestler, who had a great interest in synchronicity, coined the term 'library angel' to describe the unknown agency responsible for the lucky breaks researchers sometimes get which lead /Page 491/to exactly the right information being placed in their hands at exactly the right moment"
AMEN NAME MEAN MAN E
THE CITY OF REVELATION John Michell 1972 Gnostic Numbers Page 118 "Exactly how they came by their science of numbers is not certain, but they appear to have made the discovery that the numerical code of the Hebrew cabala and those of other mystical systems throughout the world were all degenerate versions of the same once universal system of knowledge that returns within the reach of human perception at certain intervals in time. As the revealed books of the Old Testament were written in a code to be interpreted by reference to number, so were the revelations of the gnostic prophets expressed in words and phrases formed on a system of proportion, which gave life and power to the Christian myth, while allowing initiates to gain a further understanding of the balance of forces that produce the world of phenomena." Page 121 / How it was ever supposed that the Hebrew alphabet of twenty-two letters, together with various geometrical symbols might serve to represent the entire moving pattern of the universe is not now easy to understand; but, since all ancient philosophy, religion, magic, the arts and sciences were based on the concept of a correspondence between numbers and cosmic law, it is impossible to appreciate the history of the past without some actual experience of the fundamental truth behind this approach to cosmology. Plato gives a remarkable account in Cratylos of the origin of language and letters. The philosopher is asked whether there is any particular significance in names, for surely they are simply a matter of convention and one is more or less as good as another. After all, foreigners call things by different names and appear to manage just as well as the Greeks in this respect. The answer given is that despite appearances the matter is by no means so simple. Words are the tools of expression, and the making of these, as of any other tools, is the task of a skilled craftsman, in this case the lawgiver. Language has grown corrupt over the ages, and names have deviated from their original perfect forms, which are those used by the gods. But all names were originally formed on certain principles, through knowledge of which it is possible to discover the archetypal meaning of words in current use. 'So perhaps the man who knows about names considers their value and is not confused if some letter is added, transposed or subtracted, or even if the force of the name is expressed in quite different letters.' This is Plato's clearest reference to the mystical science of the cabala, in which letters, words and whole phrases may be substituted for others of the same numerical value. The force of a name is to be found in its number, and can be expressed through any combination of letters, provided the sum of the letters amounts to the appropriate number by gematria.
I MEAN AMEN THE NAME MAN E ESOTERIC O SECRET I ESOTERIC ESOTERIC 6 SECRET 9 ESOTERIC ESOTERIC O SECRET I ESOTERIC 5 MAN AMEN THE NAME MEAN I
In Search Of The Miraculous Fragments of an Unknown Teaching P.D.Oupensky 1949 Page 283 "In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has a profound meaning, for it resolves all diversity into the fundamental laws which govern it and which are expressed in the numbers 1 to 10.
In Search Of The Miraculous Fragments of an Unknown Teaching P.D.Oupensky 1949 Page 96 9 x 6 = 54 " There exist not one, but three universal languages. The first of them can be spoken and written while remaining within the limits of ones' own language. The only difference is that when people speak in their ordinary language they do not understand one another but in this other language they do understand. In the second language, written language is the same for all peoples, like say figures or mathematical formulae; but people still speak their own language yet each of them understands the other even though the other speaks in an unknown language. The third language is the same for all both the written and the spoken. The difference of language disappears altogether on this level." Page 283 "In western systems of occultism there is a method known by the name of 'theosophical addition', that is, the definition of numbers consisting of two or more digits by the sum of those digits. To people who do not understand the symbolism of numbers this method of synthesizing numbers seems to be absolutely arbitrary and to lead nowhere. But for a man who understands the unity of everything existing and who has the key to this unity the method of theosophical addition has a profound meaning, for it resolves all diversity into the fundamental laws which govern it and which are expressed in the numbers 1 to 10. As was mentioned earlier in symbology, as represented , numbers are connected with definate geometrical figures and are mutually complimentary one to another. In the Cabala a symbology of letters is also used and in combination with the symbology of letters a symbology of words. A combination of the four methods of symbolism by numbers, geometrical figures, letters and words, give a complicated but more perfect method."
FIFTY FOUR = 126-54-9-54-126 FIFTY FOUR
Daily Mail, Thursday, July 21, 2016 ANSWERS TO CORRESPONDENTS Compiled by Charles Legge Page 60 QUESTION Was the name Eire used to describe Ireland before 1937 or was it created specifically for the Republic? IN GAELIC myth, Eriu, Banbha and Fodla were three goddesses or queens who greeted the Milesians (or gaels) on their arrival in Ireland and granted them custody of the island. Eriu is generally believed to have been the matron goddess of Ireland, a goddess of sovereignty, or simply a goddess of the land. In Irish legend, Eriu made a deal with the poet Amairgin that her name would be remembered as the principal name for Ireland. Its use, or that of its derivatives Erin/Eirenn/Eirinn/Eire, are thought to have been employed by the Irish since antiquity. The early use of the name is evident in the names given to the island by subsequent visitors. During his exploration of north-west Europe in about 320 BC, Pytheas of Massilia (350 BC-85 BC) called the island Ierne. In his book Geographia, from about AD150, Claudius Ptolemaeus (90-AD168) called it Iouernia. The Roman Empire called the island Hibernia. While Eire is the name for the island of Ireland in the Irish language, and sometimes used in English, Erin is a poetic name for Ireland, as in 'Erin go bragh'. The term Irish appeared in about 1200, from Old English Iras 'inhabitant of Ireland.' This is from Old Norse irar, and ultimately from Old Irish Eriu. The name Ireland is a 12th-century Germanic-Celtic hybrid of the celtic Eriu and Germanic land. Article 4 of the Constitution of Ireland adopted in 1937 by the government under Eamon de Valera states that 'Eire is the name of the state, or in the English language, Ireland'. Some confusion was caused by the The Republic Of Ireland Act, 1948, which states: 'It is hereby declared that the description of the State shall be the Republic of Ireland.' Note the distinction between 'name' and `description'. The use preferred by the government is the constitutional one. Thus the president is officially the President of Eire/Ireland and the government is the Government of Eire/Ireland. Ray McMahon, Stirling.
THE PHILOSOPHERS TONES
The Magic Mountain Quote "I tell them that if they will occupy themselves with the study of mathematics they will find in it the best remedy against the lusts of the flesh."
The Nine Muses of the Greek Mythology The Nine Muses of the Greek Mythology “Sing to me oh Muse”… The Nine Muses of the Greek Mythology were deities that gave artists, philosophers and individuals the necessary inspiration for creation. Hesiod reveals that they were called Muses or Mouses in Greek, as the Greek word “mosis” refers to the desire and wish. The word museum also comes from the Greek Muses. The Nine Muses were: Clio, Euterpe, Thalia, Melpomeni, Terpsichore, Erato, Polymnia, Ourania and Calliope. All the ancient writers appeal to the Muses at the beginning of their work. Homer asks the Muses both in the Iliad and Odyssey to help him tell the story in the most proper way, and until today the Muses are symbols of inspiration and artistic creation. In painting the Muses are usually presented as ethereal women with divine beauty, holding laurels and other items depending on their faculty. The Muses in the Greek Mythology Mnemosyne gave the babies to Nymph Eufime and God Apollo. When they grew up they showed their tendency to the arts, taught by God Apollo himself. They were not interested in anything of the regular human everyday life and they wanted to dedicate their lives to the Arts. Apollo brought them to the big and beautiful Mount Elikonas, where the older Temple of Zeus used to be. Ever since, the Muses supported and encouraged creation, enhancing imagination and inspiration of the artists. Muses and Arts According to the Greek Mythology, two Muses invented theory and practice in learning, three Muses invented the musical vibrations in Lyre, four Muses invented the four known dialects in the language – Attica, Ionian, Aeolian and Dorian – and five muses the five human senses. Seven muses invented the seven chords of the lyre, the seven celestial zones, the seven planets and the seven vocals of the Greek Alphabet. Analytically the Nine Muses are: 1. Clio: The Muse Clio discovered history and guitar. History was named Clio in the ancient years, because it refers to “kleos” the Greek word for the heroic acts. Clio was always represented with a clarion in the right arm and a book in the left hand. 2. Euterpe: Muse Euterpe discovered several musical instruments, courses and dialectic. She was always depicted holding a flute, while many instruments were always around her. 3. Thalia: Muse Thalia was the protector of comedy; she discovered comedy, geometry, architectural science and agriculture. She was also protector of Symposiums. She was always depicted holding a theatrical – comedy mask. 4. Melpomene: Opposite from Thalia, Muse Melpomene was the protector of Tragedy; she invented tragedy, rhetoric speech and Melos. She was depicted holding a tragedy mask and usually bearing a bat. 5. Terpsichore: Terpsichore was the protector of dance; she invented dances, the harp and education. She was called Terpsichore because she was enjoying and having fun with dancing ( “Terpo” in Greek refers to be amused). She was depicted wearing laurels on her head, holding a harp and dancing. 6. Erato: Muse Erato was the protector of Love and Love Poetry – as well as wedding. Her name comes from the Greek word “Eros” that refers to the feeling of falling in love. She was depicted holding a lyre and love arrows and bows. 7. Polymnia: Muse Polymnia was the protector of the divine hymns and mimic art; she invented geometry and grammar. She was depicted looking up to the Sky, holding a lyre. 8. Ourania: Muse Ourania was the protector of the celestial objects and stars; she invented astronomy. She was always depicted bearing stars, a celestial sphere and a bow compass. 9. Calliope: Muse Calliope was the superior Muse. She was accompanying kings and princes in order to impose justice and serenity. She was the protector of heroic poems and rhetoric art. According to the myth, Homer asks from Calliope to inspire him while writing Iliad and Odyssey, and, thus, Calliope is depicted holding laurels in one hand and the two Homeric poems in the other hand. The Nine Muses have been inspiring artists since the antiquity and there countless paintings, drawings, designs, poems and statues dedicated to them. All artists of the Renaissance acknowledged their importance in artistic creation, dedicating their works to the Muses. Today, the most famous depiction of the Muses in sculpture is in Greece, in Corfu; the Empress Sissi of Austria had their statues made for her, in order to ornament the garden of her retreat house in Corfu, the famous Achilleion.
CLIO EUTERPE THALIA MELPOMENE TERPSICHORE ERATO POLYMNIA OURANIA CALLIOPE
HOLY BIBLE Scofield References Jeremiah B.C. 590 Page 809 8 x 9 + 72 7 + 2 = 9 Chapter 33 Verse 3 x 33 = 99 "Call unto me, and I will answer thee, and shew thee great and mighty things which thou knowest not."
"THE WORD FIRST USED FOR MAN IS LULLU" "THE WORD FIRST USED FOR MAN IS 33333" "THE WORD FIRST USED FOR MAN IS LULLU"
ENUMA ELISH - Babylonian Creation Myth - The continued story www.stenudd.com/myth/enumaelish/enumaelish- The word used for man is lullu, meaning a first, primitive man. The same word is used about the savage Enkidu in the Gilgamesh epic. Since Qingu is found ... I hereby name it Babylon, home of the great gods. The word used in the text is written phonetically, ba-ab-i-li, contrary to tradition, maybe to allow for the etymological explanation of the name as the ‘gate of the gods’.
ENUMA ELISH "The word used for man is lullu" LULLU 33333 LULLU "The word used for man is lullu"
MATHEMATICIAN 117 MATHEMATICIAN MATHEMATICIAN 54 MATHEMATICIAN MATHEMATICIAN 9 MATHEMATICIAN
NUMEROLOGY Page 5 / "Numerology is the name given to an ancient method of studying numbers that has been in use for thousands of years." / Page 6 / "…Pythagoras formulated the concept called the Music of the Spheres', based on the idea that all the planets in the universe formed a harmonious whole consisting of a musical chorus. He discovered that there was a relationship between sound and numbers, and developed this discovery to form his metaphysical concept. He suggested that every planet was a certain distance from a central point in the universe and that if an invisible string connected each planet to the central point, when plucked the string would emit a certain tone or vibration. Each sound or vibration could be associated with a particular number. He also believed that the sound or vibration of the universe dictated by the planets would have a strong influ-ence on the character of an individual born at that particular time. / Page 7 / believed to be significant to numerology. All numbers greater than nine can be reduced to a single digit by the process of fadic addition, for example:
Numerology - Oddx Paranormal Oddities oddx.com/numerology/ Jan 12, 2013 - ... the truth,” while Pythagoras once said that “The world is built on the power of numbers”. Pythagoras also believed that there was nine stages ... Numerology is the practice of attempting to use numbers derived from people’s names, date of birth, phone number, etc to determine that person’s personality and destiny. It bears many similarities to astrology, and some believe that the two are connected. Numerology is based on the belief that everything in the universe can be expressed by numbers, and many religions have at some point attempted to integrate numerology with their beliefs, claiming that numerology is a message encoded into the universe for them by their deity/deities. History of Numerology Numerology originated from ancient Babylonia, but modern Numerology contains elements from many cultures and teachings, including: Many ancient philosophers and mathematicians believed that as mathematical concepts were provable, unlike physical ones, numbers could be used to discern links between everything in creation, and predict the future. St. Augustine of Hippo (A.D. 354–430) wrote, “Numbers are the Universal language offered by the deity to humans as confirmation of the truth,” while Pythagoras once said that “The world is built on the power of numbers”. Pythagoras also believed that there was nine stages of the cycle of life, each of which was connected to a number from 1 to 9, and this was the source of all energy in the universe. During the early stages of Christianity dominance of Europe many attempted to find link biblical concepts to numerology, resulting in such ideas as the ‘Jesus Number’, and the ‘Number of the Beast’. This practice is still found in some Greek Orthodox churches. How Numerology Works Numerology involves turning your name, date of birth, and several other characteristics into a series of numbers between 1 and 9, which are then used to attempt to determine your personality, future, heart’s desire. Supposedly, numerology can even be used to determine what affect things like your house or phone number are having on your life, and how to overcome any problems they may be causing. First, you have to turn your name into a number. In numerology, every letter corresponds to a number from 1 to 9, as shown below: A = 1 B = 2 C = 3 D = 4 E = 5 F = 6
THE LIGHT IS RISING NOW RISING IS THE LIGHT
....
John Michell 1972 Page 36 " St Augustine in The City of God also writes of the perfection of number 6, for 'in this did God make perfect all his works. Wherefore this number is not to be despised, but has the esteem apparently con-firmed by many places of scripture. Nor was it said in vain of God's works: "Thou madest all things in number, weight and measure." ' It is the unique property of number 6, on account of which it was held perfect, that it is both the sum and the product of all its factors excluding itself, for 1 + 2 + 3 = 6 and 1 x 2 x 3 = 6. 6 is the number of the cosmos, and the Greek word " "…signifying the cosmic order, has the value by gematria of 600. The ancient astronomers adopted the mile as the unit which measures the cosmic intervals in terms of the number 6, and procured the following sacred numbers: Diameter of sun = 864,000 miles ( 12 x 12 x 6000 ) Diameter of moon = 2160 miles ( 6 x 6 x 60 ) Diameter of earth = 7920 miles ( 12 x 660 ) Mean circumference of earth = 24,883.2 miles (12 x 12 x 12 x 12 x 12) Speed of earth round sun = 66,600 miles per hour Distance between earth and moon = 6 x 60 x 660 miles or 60 x earth's radius"
Diameter of sun = 864,000 miles 8 + 6 + 4 = 18 1 + 8 = 9 Diameter of moon = 2160 miles 2 + 1 + 6 = 9 Diameter of earth = 7920 miles 7 + 9 + 2 = 18 1 + 8 = 9 Mean circumference of earth = 24,883.2 miles 2 + 4 + 8 + 8 + 3 + 2 = 27 2 + 7 = 9 Speed of earth round sun = 66,600 miles per hour 6 + 6 + 6 = 18 1 + 8 = 9 Distance between earth and moon = 6 x 60 x 660 miles = 237600" 2 + 3 + 7 + 6 = 18 1 + 8 = 9
THE FINGERPRINTS Of THE GODS Graham Hancock 1998 Page 274/275 "The pre-eminent number in the code is 72. To this is frequently added 36, making 108, and it is permissible to multiply 108 by 100 to get 10,800 or to divide it by 2 to get 54, which may then be multiplied by 10 and expressed as 540 (or as 54,000, or as 540,000, or as 5,400,000, and so on). Also highly significant is 2160 ( the number of years required for the equinoctial point to transit one zodiacal / constellation), which is sometimes multiplied by 10 and by factors of ten (to give 216,000, 2,160,000, and so on) "and sometimes by 2 to give 4320, or 43,200, or 432,000, or 4,320,000, ad infinitum."
Fingerprints of the Gods Graham Hancock. Page 274. "Seventy-two = the number of years required for the equinoctial sun to complete a precessional shift of one degree along the ecliptic."
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1997 Page247 Special numbers We suspect that the phrase to 'go down to any sky' suggests an awareness - and recording - of precessionally induced changes in the positions of the stars over long periods of time. And we also note its implication that if the chosen initiate was equipped with the correct numerical spell then he would be able to work out - and visualize - the correct positions of the stars in any epoch of his choosing, past or future. Once again Sellers stands out amongst Egyptologists for being the first to have entertained such apparently outlandish notions. 'It is possible', she writes, 'that early man encoded in his myths special numbers; numbers that seemed to reveal to initiates an amazing knowledge of the movement of the celestial spheres.' 27 Such numbers, she argues, appear to have been derived from a sustained, scientific study of the cycle of precession and a measure- ment of its rate and, puzzlingly, turn out to be extremely 'close to the calculations made with today's sophisticated procedures'. Intriguingly, too, there is evidence not only 'that these calculations were made, and conclusions drawn', but also that 'they were transmitted to others by secret encoding that was accessible only to an elite few':28 In short, Sellers concludes, 'ancient man calculated a special number that he believed would bring this threatening cycle [of precession] back to its starting point. . .' 29 The 'special number' to which Sellers is referring to is 25,920 (and multiples and divisions of it) and thus represents the duration, in solar years, of a full precessional cycle or 'Great Year'.30 She shows how it can be derived from a variety of simple combinations of other numbers - 5, 12,36,72,360,432,2100, etc., etc. - all of which are in turn derived from precise observations of precession. Most crucially of all, she shows that this peculiar sequence of numbers occurs in the ancient Egyptian myth of Osiris where, notably '72 consipirators' are said to have been involved with Seth in the murder of the God-King.31 2 x 5 x 9 x 2 = 180 1 + 8 = 9 "The 'special number' to which Sellers is referring to is 25,920 (and multiples and divisions of it)" 2592 x 36 = 93312 ÷ 9 = 10368 1 x 3 x 6 x 8 = 144 1 + 4 + 4 = 9 Page 382 for 3226 years - by the Ibis-headed wisdom god Thoth.8 Who were these people - or creatures, or beings, or gods? Were they figments of the priestly imagination, or symbols, or ciphers?" "for 3226 years" 3 x 2 x 2 x 6 = 72 '72 consipirators' are said to have been involved with Seth in the murder of the God-King.31
OSIRIS = 89 = OSIRIS 8 x 9 = 72 = 9 x 8 OSIRIS = 89 = OSIRIS
FINGERPRINTS OF THE GODS Graham Hancock 1995 City of the Sun, Chamber of the Jackal Page 381(Part VII) "Heliopolis (City of the Sun) was referred to in the Bible as On but was originally known in the Egyptian language as Innu, or Innu Mehret - meaning 'the pillar' or 'the northern pillar'.3 It was a district of immense sanctity, associated with a strange group of nine solar and stellar deities, and was old beyond reckoning when Senuseret chose it as the site for his obelisk. Indeed, together with Giza (and the distant southern city of Abydos) Innu / Heliopolis was believed to have been part of the first land that emerged from the primeval waters at the / Page 382 / moment of creation, the land of the 'First Time', where the gods had commenced their rule on earth.. ATUM 1234 ATUM
'shapeless, black with the blackness of the blackest night' BLACK B LACK OF LIGHT C BLACK
The sky had not been created, the earth had not been created, the children of the earth and the reptiles had not been fashioned in that place. . . I, Atum, was one by myself. . . There existed no other who worked with me .'. .6 Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: 'Ithrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.,7 Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced offspring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8 3x2x2x6 IS 72 IS 72 IS 6x2x2x3 Who were these people - or creatures, or beings, or gods? Were they figments of the priestly imagination, or symbols, or ciphers? Were the stories told about them vivid myth memories of real events which had taken place thousands of years previously? Or were they, perhaps, part of a coded message from the ancients that had been transmitting itself over and over again down the epochs - a message only now beginning to be unravelled and understood? Page 382 "I, Atum, was one by myself. . . There existed no other who worked with me .'" I ATUM 1234 ATUM I
FINGERPRINTS OF THE GODS Graham Hancock 1995 Chapter Nineteen Page 153 1 + 5 + 3 = 9 "In Egypt's early dynastic period, more than 4500 years ago, an 'Ennead' of nine omnipotent deities was particularly adored by the priesthood at Heliopolis. 5 Likewise in central America both the Aztecs and the Mayas believed in an all-powerful system of nine deities."
THE LIVING GODS ENERGIES GODS LIVING DIVINE THOUGHT THOUGHT DIVINE THE CREATORS R LIGHT PERFECT CREATORS I ME I ME I CREATORS PERFECT LIGHT R
GOD WITH US AND US WITH GOD
GOD WITH US AND US WITH GOD
THE PROPHET Kahil Gibran Page 82/83/84/85/86 "If these be vague words, then seek not to clear them. Vague and nebulous is the beginning of all things, but not their end, And I would have you remember me as a beginning. Life, and all that lives, is conceived in the mist and not in the crystal. And who knows but a crystal is mist in decay This would I have you remember in remembering me: That which seems most feeble and bewildered in you is the strongest and most determined. Is it not your breath that has erected and hardened the structure of your bones? And is it not a dream which none of you remember having dreamt, that builded your city and fashioned all there is in it? Could you but see the tides of that breath you would cease to see all else, And if you could hear the whispering of the dream you would hear no other sound. The veil that clouds your eyes shall be lifted by the hands that wove it, And the clay that fills your ears shall be pierced by those fingers that kneaded it. And you shall see And you shall hear. Yet you shall not deplore having known blindness, nor regret having been deaf For in that day you shall know the hidden purposes in all things, And you shall bless darkness as you would bless light. After saying these things he looked about him, and he saw the pilot of his ship standing by the helm and gazing now at the full sails and now at the distance. And he said: Patient, over patient, is the captain of my ship. The wind blows, and restless are the sails; Even the rudder begs direction; Yet quietly my captain awaits my silence. And these my mariners, who have heard the choir of the greater sea, they too have heard me patiently. Now they shall wait no longer. I am ready The stream has reached the sea, and once more THE GREAT MOTHER holds her son against her breast. Fare you well, people of Orphalese. This day has ended. It is closing upon us even as the water-lily upon its own tomorrow. What was given us here we shall keep, And if it suffices not, then again must we come together and together stretch our hands unto the giver. Forget not that I shall come back to you. A little while, and my longing shall gather dust and foam for another body. A little while, a moment of rest upon the wind, and another woman shall bear me. Farewell to you and the youth I have spent with you. It was but yesterday we met in a dream. You have sung to me in my aloneness, and I of your longings have built a tower in the sky. But now our sleep has fled and our dream is over, and it is no longer dawn. The noontide is upon us and our half waking has turned to fuller day, and we must part. If in the twilight of memory we should meet once more, we shall speak again together and you shall sing to me a deeper song. and if our hands should meet in another dream we shall build another tower in the sky. So saying he made a signal to the seamen, and straightaway they weighed anchor and cast the ship loose from its moorings, and they moved eastward. And a cry came from the people as from a single heart, and it rose into the dusk and was carried out over the sea like a great trumpeting. Only Almitra was silent, gazing after the ship until it had vanished into the mist. And when all the people were dispersed she still stood alone upon the sea-wall, remembering in her heart his saying: A little while, a moment of rest upon the wind, and another woman shall bear me.'
A LITTLE WHILE A MOMENT OF REST UPON THE WIND AND ANOTHER WOMAN SHALL BEAR ME
Fingerprints Of The Gods Graham Hancock 1995 Page 382 Chapter 41 "Conscious of being alone, this blessed and immortal being contrived to create two divine offspring, Shu, god of the air and dryness, and Tefnut the goddess of moisture: ' I thrust my phallus into my closed hand. I made my seed to enter my hand. I poured it into my own mouth. I evacuated under the form of Shu, I passed water under the form of Tefnut.' 7 Despite such apparently inauspicious beginnings, Shu and Tefnut (who were always described as 'Twins' and frequently depicted as lions) grew to maturity, copulated and produced offspring of their own: Geb the god of the earth and Nut, the goddess of the sky. These two also mated, creating Osiris and Isis, Set and Nepthys, and so completed the Ennead, the full company of the Nine Gods of Heliopolis. Of the nine, Ra, Shu, Geb and Osiris were said to have ruled in Egypt as Kings, followed by Horus, and lastly - for 3226 years - by the Ibis-headed wisdom god Thoth.8" 3 x 2 x 2 x 6 = 72 "In short it seems that secret knowledge is indeed available in the myth of Osiris and in the dimensions of the Great Pyramid. With this secret knowledge, if we wanted to fix a specific date - say 1008 years in the future - and communicate it to other initiates, then we could do so with the 'special number' 14 (72 x 14 = 1008). We would also have to specify the 'zero point' from which they were to make their calculations - i.e the present epoch - " FOURTEEN 104-41-5 - 41-104 FOURTEEN
Fingerprints of the Gods Graham Hancock 1995 Page 71 "Osiris, The ancient Egyptian high god of death and resurrection." "…He was plotted against by seventy-two members of his court, led by his brother- in -law Set..." "… Set, out hunting in the marshes, discovered the coffer, opened it and in a mad fury cut the royal corpse into fourteen pieces," 72 x 14 = 1008 Ra and the Eight
OSIRIS = 89 = OSIRIS 8 x 9 = 72 = 9 x 8
OSIRIS OR ISIS OSIRIS
OSIRIS SO IRIS OSIRIS
OSIRIS = 89 = OSIRIS 8 x 9 = 72 = 9 x 8 OSIRIS = 89 = OSIRIS
Joseph and His Brothers. Thomas Mann Minerva 1997 The Two Fine Gentlemen. Page 890. 8 x 9 = 72 "In all there were two and seventy conspirators privy to the plot. It was a proper and a pregnant number, for there had been just seventy-two when red Set lured Usir into the chest. And these seventy-two in their turn had had good cosmic ground to be no more and no less than that number. For it is just that number of groups of five weeks which make up the three hundred and sixty days of the year, not counting the odd days, and there are just seventy-two days in the dry fifth of the year, when the gauge shows that the Nourisher has reached his lowest ebb, and the god sinks into his grave. So where there is conspiracy anywhere in the world it is requisite and customary for the number of conspirators to be seventy-two. And if the plot fail, the failure shows that if this number had not been adhered to it would have failed even worse."
On Page 890, two and seventy occurs once. seventy-two occurs four times. Five times seventy-two makes three hundred and sixty as in "three hundred and sixty daysof the year not counting the odd days," Page 891. 8 x 9 x 1 = 72. Second and third line down. "Possibly at the last minute one of the seventy-two."
https://en.wikipedia.org/wiki/Joseph_and_His_Brothers Joseph and His Brothers (Joseph und seine Brüder) is a four-part novel by Thomas Mann, written over the course of 16 years. Mann retells the familiar stories of ... Joseph and His Brothers (Joseph und seine Brüder) is a four-part novel by Thomas Mann, written over the course of 16 years. Mann retells the familiar stories of Genesis, from Jacob to Joseph (chapters 27–50), setting it in the historical context of the Amarna Period. Mann considered it his greatest work. The tetralogy consists of:
The Island Where Time Stands Still (Gregory Sallust Book 9)
THOSE PATENT PATIENT PATENTED PATTERN MAKERS
973-eht-namuh-973.com/forum/ heron
Posts: 13 Postby heron » Tue Apr 05, 2016 8:10 pm Creatures that drift
THE BULL OF MINOS Leonard Cottrell 1953 "Furthermore, after he (Theseus) was arrived in Crete, he slew there the Minotaur (as the most part of ancient authors do write) by the means and help of Ariadne; who being fallen in fancy with him, did give him a clue of a thread, by the help whereof she taught him, how he might easily wind out the turnings and cranks of the Labyrinth. Plutarch (North's translation). Page 207 "In the year 30, on the ninth day of the third month of the inundation, the god entered his horizon" Page 90 "Out in the dark blue sea there lies a land called Crete, a rich and lovely land, washed by the waves on every side,densely peopled and boasting ninety cities . . . . One of the ninety towns is a great city called Knossos, and there, for nine years, King Minos ruled and enjoyed the friendship of almighty Zeus"
THE ALPHABET David Diringer 1947 Page 316 " The Uighurs, originally Toquz Oghuz, the " Nine Oghuz," were a strong people of Turki speech. They lived in Mongolia and were Shamanists "
REVELATION John Michell 1972 Introductory Note On Gematria The Numerical Correspondences of The Greek Alphabet Page 7 "...There were formerly two other letters, representing numbers 90 and 900, but they became obsolete in literature, retained only as numerical symbols. Another letter, the digamma of value 6, also fell out of use and was replaced..."
1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 9 1 2 3 4 5 6 7 8 A B C D E F G H I J K L M N O P Q R S T U V W X Y Z
ONE TWO THREE FOUR 5FIVE5 SIX SEVEN EIGHT NINE ONETWOTHREEFOUR = 280 = SIXSEVENEIGHTNINE ONETWOTHREEFOUR = 10 = SIXSEVENEIGHTNINE ONETWOTHREEFOUR = 1 = SIXSEVENEIGHTNINE 1 = ONETWOTHREEFOUR 5FIVE5 SIXSEVENEIGHTNINE = 1
THE BALANCING
Added to all, minus none, shared by everything, multiplied in abundance.
THE MAGIC MOUNTAIN Thomas Mann 1875 - 1955 "I tell them that if they will occupy themselves with the study of mathematics they will find in it the best remedy against the lusts of the flesh."
PEACE BE UPON YOU
HOLY BIBLE
HOLY BIBLE Scofield References A.D. 30. Page 1117 JESUS ANSWERED AND SAID UNTO HIM, VERILY, VERILY I SAY UNTO THEE EXCEPT A MAN BE BORN AGAIN HE CANNOT SEE THE KINGDOM OF GOD
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching Page 217 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.'
THE MAGIC MOUNTAIN Thomas Mann 1875-1955 Page 496 "There is both rhyme and reason in what I say, I have made a dream poem of humanity. I will cling to it. I will be good. I will let death have no mastery over my thoughts. For therein lies goodness and love of humankind, and in nothing else." Page 496 / 497 "Love stands opposed to death. It is love, not reason, that is stronger than death . Only love, not reason, gives sweet thoughts. And from love and sweetness alone can form come: form and civilisation, friendly and enlightened, beautiful human intercourse-always in silent recognition of the blood-sacrifice. Ah, yes, it is it is well and truly dreamed. I have taken stock I will keep faith with death in my heart, yet well remember that faith with death and the dead is evil, is hostile to mankind, so soon as we give it power over thought and action. For the sake of goodness and love, man shall let death have no sovereignty over his thoughts.
A TEST OF TIME The Bible From Myth To History David M Rohl 1995 Page 123
Wade Baskin 1974 NUMEROLOGY "A survival of the ancient magical theory of names. Names are infinite in their diversity but all may be reduced to a finite set of numbers, usually from 1 to 9, occasionally with the addition of 11 and 22. Leonard Bosman, in The Meaning and Philosophy of Numbers (1932), stated: The power which the student may draw into himself when trying to realise the inner meaning of these great names and posers is sometimes so great as to cause a physical breakdown. The simplest way to find the number corresponding to a name is to turn each letter into a number. Two systems are used. The Hebrew system, which also relies on knowledge of the Greek alphabet, does not use the figure 9 and writes the letters under the other numbers:" "The modern system places the letters of the alphabet under the numbers 1-9." "Using either system, the digital root is obtained by adding the number equivalents for each letter of a person's full name and reducing the sum to one digit."
ANCIENT EGYPT - THE LIGHT OF THE WORLD Gerald Massey 1936 Book 12 Page 898 "When Horus returns to his father with his work accomplished on earth and in Amenta he greets Osiris in a “discourse to his father”. In forty addresses he enumerates what he has done for the support and assistance of Osiris in the earth of Seb. Each line commences with the formula, “Hail, Osiris, I am thy son Horus. I have come!”
I HAVE COME FROM WHERE HAVE YOU COME ? "the universe had been filled with a dark, watery nothingness, called the Nun" Page 382
I HAVE COME HAVE COME HAVE I
THE BOOK OF THE DEAD E.A. Wallis Budge First Published 1899 Chap. IX. PASSAGE THROUGH THE TOMB Page 57 [From the Papyrus of Ani (Brit. Mus. No. 10,470, sheet 18).] "Vignette (omitted): A ram -having upon his head the Atef crown standing upon a pylon-shaped pedestal, which rests on a green reed-mat; before him is an altar upon which stand a libation vase and a lotus flower. The scribe _Ani, clothed in white, Page 57 notes 1 Suti or Set, the personification of darkness, and the mighty antagonist of Horus, by whom he was slain.
THE BOOK OF THE DEAD E.A. Wallis Budge First Published 1899 Page 175 Chap. xlii.3] [From the Papyrus of Nu (Brit. Mus. No. 10,477, sheet 6).] Text: (1) THE CHAPTER OF DRIVING BACK THE (2) SLAUGHTERINGS WHICH ARE ,PERFORMED IN SUTENHENEN. Osiris Nu, triumphant, saith: DEIFICATIONDEIFICATION OF MEMBERS OF MEMBERS "I am (4) Ra, the stablisher of those who praise [him]. "I am. the knot of the god within the Aser tree, the "doubly beautiful one, who is more splendid than "yesterday (say four times). I am Ra, the stablisher "of those who praise [him]. (5) I am the knot of the " god within the Aser tree, and my going forth is the " going forth [of Ra] on this day." Chap. xlii. 16J Page 177 There is no member of my "body which is not the member of some god. The god "Thoth shieldeth my body (11) altogether, and I am "Ra day by day. I shall not be dragged back by my "arms, and none shall lay violent hold upon my hands. " And shall do me -hurt neither men, nor gods, (12) nor "the sainted dead, nor those who have'perished, nor "anyone of those of ancient times, nor any mortal, "nor any human being. I (13) am he who cometh "forth, advancing, whose name is unknown. I am "Yesterday, and Seer of millions of years is my name. "I pass" along, I pass along the paths 'of the divine " celestial judges. (14) I am the lord of eternity, and "I decree and I judge like the god Khepera. I am the "lord of the Ureret crown. I am he who dwelleth in "the Utchat [and in the Egg, in the Utchat and in the "Egg, and it is given unto me to live [with] them. I "am he that dwelleth. in the Utchat when it closeth, " and I exist by the strength thereof. I come forth and "I shine ; I enter in and I come to life. I am in the "Utchatmy seat is (15) upon my throne, and I sit in "the abode of splendour(?)before it. I am Horus and "(I) traverse millions of years. I have given the "decree [for the stablishing of] my throne and I am the "ruler thereof; and in very truth, my mouth keepeth "an even balance both in speech (16) and in silence. "In very truth, my forms are inverted. I am Un-nefer, / Page 178 / "from one season even; "unto another-, and what-I have "is within me; DEIFICATION OF MEMBERS Page 178 Chap. xlii. 28] Page 179 Page 175 Note 1 For these see N avil1e, op. cit., Bd. I. Bl. 57. Page 176 Note 1 I.e., "the opener of the roads," a jackal.headed god who is sometimes identified with Osiris. Page 177 Note1 The words within 'brackets are supplied from the Papyrus of :Mes-em-neter. VOL. I.
THE BOOK OF THE DEAD E.A. Wallis Budge First Published 1899 THE ADDRESSES OF HORUS Page 588 Page 589 Chap. clxxiii. IO] THE ADDRESSES OF HORUS Text: THE SPEECHES OF HORUS TO HIS' DIVINE FATHER OSIRIS WHEN HE ENTERETH IN TO SEE HIM, AND .WHEN HE COMETH FORTH FROM NEAR THE GREAT ABT CHAMBER TO LOOK UPON RA AS UN-NEFER, THE LORD OF TA-TCHESERT; THEN DOTH EACH EMBRACE THE OTHER AT THB PLEASURE OF HIS KHU, THERE IN THE UNDERWORLD. (1) A Hymn of Praise to Osiris, governor of those in the underworld, the great god, the lord of Abydos, the king of eternity, the prince of everlastingness, the holy god in Re-stau, (2) by the scribe Nebseni, who saith :- (3) [Here follow forty declarations, each of which is preceded by the words "Hail, Osiris, I am thy " son." ] (8).. "I have come, and I have avenged [thee, O my"father Osiris]. . Page 590 Note 1 The text actually has, I have overthrown."
HURRAH FOR RAH FOR RAH HURRAH I HAVE COME 153 x 12 = 1836 = 12 x 153
FINGERPRINTS OF THE GODS Graham Hancock 1995 Page 382 SHU AND TEFNUT TEFNUT AND SHU TWO INS 3 x 2 x 2 x 6 72 Page 382 "Who were these people - or creatures, or beings, or gods? Were they figments of the priestly imagination, or symbols, or ciphers? Were the stories told about them vivid myth memories of real events which had taken place thousands of years previously? Or were they, perhaps, part of a coded message from the ancients that had been transmitting itself over and over again down the epochs - a message only now beginning to be unravelled and understood?
THE SORCERORS HANDBOOK Wade Baskin 1974 NUMEROLOGY Page 429 Term designating a cult believed by some students of witch- / Page 430 / craft, mainly those inspired by the writings of Margaret Murray and her followers, to incorporate the essential tenets of a prehistoric religion. These students hold that the idea of a Supreme Being antedates the Old Testament and was fairly widespread. Traces of the Old Religion appear in the Vedas of India, in ancient Persian manuscripts, and in the earliest esoteric writings of the Egyptians. Thousands of years before Paul wrote that "In Him we live, and move, and have our being," the ancient adepts or Magi had taught the essential truths of all the great religions of the world. They taught that the physical world and the mental world existed in the continuum of one great mind, the eternal reconciler of all opposites, the source of all things at all levels, the ultimate and absolute repository of wisdom and knowledge. Man with his limited intelligence could never comprehend the incomprehensible. But knowledge of God was accessible to man through his perception of truth and spiritual values; God revealed himself as perfection, love, light, and beyond that, Mystery. The ancient belief was summed up in the formula carved on ruined temples: "I am all that is, all that was, all that will be, and no one shall lift my veil." "I am all that is, all that was, all that will be, and no one shall lift my veil." Page 156 "The rite or initiation follows a general pattern to which / Page 157 / each coven may add its own features. A nine-foot circle isoutlined with a sacred black-handled knife. An altar placed in the center of the circle contains a knife symbolizing the air, a cauldron symbolizing water and the Great Mother, a wand symbolizing the phallus and fire, and the pentatle symbolizing the earth. Other instruments may include a sword, a burin, a white-handled knife for use in making talismans, and a cord symbolizing the unifying spirit that links all the elements together. The altar has on it lighted candles, incense burners, a vase filled with salt and water, and a whip symbolizing purification. The circle is consecrated, using ritual instruments, salt, and water. An incantation, repeated over and over, asks the an- cient gods of the four cardinal points to appear. During this part of the ceremony the postulant stands outside the circle.. The leader of the coven touches his chest with the point of the blackhandled knife and warns him that it is better to die by the knife than to enter the coven with fear in his heart. The postulant replies with the password "Per-fect love and perfect faith," enters the circle, and has his feet and hands ceremoniously bound with the cord. The leader presents him to the gods of the east, the south, the west, and the north, brings him back to the altar, forces him to kneel, grasps his feet firmly, and asks: "Are you prepared to swear to remain faithful to the Art forever?" When the postulant states that he is ready, the leader tells him that he must first be purified, and applies first three, then seven, then nine, and finally 21 lashes." "Perfect love and perfect faith" "A nine-foot circle" "nine" 9 "first three, then seven, then nine," three seven nine 3 7 9 973 9
1234 5 6789 ONE+TWO+THREE+FOUR 5 SIX+SEVEN+EIGHT+NINE ONE FIVE ONE = 1 5 1 = ONE FIVE ONE ONE FIVE ONE
CAT WATCHING Desmond Morris 1986 Page 9 " The cat-goddess was called Bastet, meaning She-of-Bast. Bast was the city where the main cat temple was situated, and where each spring as many as half a million people converged for the sacred festival. About 100,000 mummified cats were buried at each of these festivals to honour the feline virgin- goddess (who was presumably a forerunner of the Virgin Mary). These Bastet festivals were said to be the most popular and best attended in the whole of ancient Egypt, a success perhaps not unconnected with the fact that they included wild orgiastic celebrations and 'ritual frenzies'. Indeed, the cult of the cat was so popular that it lasted for nearly 2,000 years. It was officially banned in AD 390, but by then it was already in serious decline. In its heyday, however, it reflected the immense esteem in which the cat was held in that ancient civilization, and the many beautiful bronze statues of cats that have survived bear testimony to the Egyptians' appreciation of its graceful form. Page 105 nine lives? The cat's resilience and toughness led to the idea that it had more than one life, but the reason for endowing it with nine lives, rather than any other number, has often puzzled people. The answer is simple enough. In ancient times nine was considered a particularly lucky number because it was a 'trinity of trinities' and therefore ideally suited for the 'lucky' cat."
THE ACT OF A CAT
FILELIFEFILE
THE SORCERORS HANDBOOK Wade Baskin 1974 Page 429 "first three, then seven, then nine" three seven nine
379 - 973
HARMONIC 288 THE PULSE OF THE UNIVERSE Bruce Cathie1977 Page 35 All the work I had done to-date / Page 36 / indicated to me that the mathematicians of old had a knowledge of the universe which we are only once again beginning to understand. The final solution to this argument could be overcome only by the discovery of a geometric connection between the harmonics of light and the harmonics inherent in the division of a circle. As I had based my light values on minute of arc measure there must be some type of geometric arrangement which would tie them together." "This was always in the back of my mind during the reading of many research books and finally I came across something which I believe will answer the critics. The friend who came to my rescue was none other than Pythagoras himself, a man of great stature and forceful personality who lived in the sixth century BC. He travelled extensively to enlarge his mathematical knowledge and was said to have gained much information from the priests of Zoroaster, who had in their possession the mathematical lore of the Mesopotamians. He founded a semi-religious, or mystical, cult based on mathematics, round about 540 BC in the town-ship of Crotona, in southern Italy. He taught his disciples to worship numbers, the main idea being that number is the essence of all things, and is the metaphysical principle of rational order in the universe."
"To be wise is - one thing - to see the Thought by which all things are guided through all things" (HERACLITUS, 500 B.C.).
FINGERPRINTS OF THE GODS Graham Hancock 1995 Galilei Galileo 1564-1642 Page 286 "What sublimity of mind must have been his who conceived how to communicate his most secret thoughts to any other person, though very distant either in time or place, speaking with those who are in the Indies, speaking to those who are not yet born, nor shall be this thousand or ten thousand years? And with no greater difficulty than the various arrangements of two dozen little signs on paper? Let this be the seal of all the admirable inventions of men."
GALILEO IN 90 MINUTES John and Mary Gribbin 1997 Page 50 "But in his book The Assayer, published in 1623, Galileo also summed up his understanding of the scientific method. Sarcastically suggesting that his opponents seemed to think that 'philosophy is a book of fiction by some author, like The Iliad', he said that the book of the Universe: cannot be understood unless one first learns to comprehend the language and to under-stand the alphabet in which it is composed It is written in the language of mathematics, and its characters are triangles, circles and other geometric figures, without which it is humanly impossible to understand a single word of it; without these, one wanders about in a dark labyrinth." "It is written in the language of mathematics, and its characters are triangles, circles and other geometric figures, without which it is humanly impossible to understand a single word of it; without these, one wanders about in a dark labyrinth." Page 58 5 + 8 = 13
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1947 Page 304 "You must understand ", he said, " that every real religion, that is, one that has been created by learned people for a definite aim, consists of two parts. One part teaches what is to be done. This part becomes common knowledge and in the course of time is distorted and departs from the original. The other part teaches how to do what the first part teaches. This part is preserved in secret in special schools and with its help it is always possible to rectify what has been distorted in the first part or restore what has been forgotten." "Realizing the weakness and imperfection of ordinary language the people who have possessed objective knowledge have tried to express the idea of unity in "myths" "symbols" and in particular verbal formulas" which, having been transmitted without alteration, have carried on the idea from one school to another, often from one epoch to another." Page 279 "The aim of "myths" and "symbols" was to reach mans' higher centres, to transmit to him ideas inaccessible to the intellect and to transmit them in such forms as would exclude the possibility of false interpretation."
LIGHT AND LIFE Lars Olof Bjorn Page 197 "By writing the 26 letters of the alphabet in a certain order one may put down almost any message"
NUMBER 9 The Search for the Sigma Code Cecil Balmond 1998 Page 5 "One…two…three….My eye went over the figures. Suddenly I saw something. There were hidden patterns; the old man's story about secret num-bers came back to me and I became curious. I started to look into these simple ideas and the more I searched the more fascinated I became. Something was indeed going on underneath the surface of arithmetic and what appeared as a unique calculation to the outside / Page 6 / world was something quite different when viewed from below. Looked at another way, six and six was not necessarily twelve but something much more exciting - the number 3, of a secret code…" Page 5 "…The thing to do is to follow the path until all the clues are in place and let your mind run free. It is only then that you find what the young master saw: the fixed points in the wind." "…it is in this spirit I dedicate the journey to you. Follow the clues, build up the jigsaw piece by piece and make your own investigations; become part of the search. Go back in time and let the free spirit in you enter. Talk to it, play ask the strangest questions. Start to count again in the simplest of ways, one, two, three, four…up to nine
OSIRIS ISIS SIRIUS VISHNU SHIVA KRISHNA CHRIST CHRISTOS RISHI SAPTARSHI
TIMELESS EARTH Peter Kolosimo 1974 Chapter NINETEEN Page 192 "The Indians say that thousands of years ago their ancestors travelled on great golden discs which were kept airborne by means of sound vibrations at a certain pitch, produced by continual hammer-blows. This is not so absurd as it may seem. Vibrations of a set frequency may have had the effect of increasing the atomic energy of gold, thus reducing the weight of the disc and enabling it to overcome gravity.'
Bridge of Light (song) - Wikipedia, the free encyclopedia "Bridge of Light" is a song by American singer-songwriter Pink. It was released on December 2, 2011
www.azlyrics.com/lyrics/pink/bridgeoflight.html
ISIS GODDESS OF LIGHT
LIGHT 2 LIGHT ISIS 2 ISIS LUCIFER 2 LUCIFER
HOW YOU HAVE FALLEN FROM HEAVEN BRIGHT SON OF THE MORNING
L U C FIRE C U L
THE HOURS OF THE HORUS
PHOSPHORUS 2 PHOSPHORUS
Phosphorus (morning star) - Wikipedia, the free encyclopedia wikipedia.org/wiki/Phosphorus_(morning_star) Phosphorus (Greek Φωσφόρος Phōsphoros) is the Morning Star, the planet Venus in its ... the dawn, the god Dionysos, pine torches, the day; and in the sense of "torch-bearing" as an epithet of several god and goddesses, especially Hecate ...
Hesperus - Wikipedia, the free encyclopedia .wikipedia.org/wiki/Hesperus In Greek mythology, Hesperus /ˈhɛspərᵿs/ (Ancient Greek: Ἓσπερος Hesperos) is the Evening Star, the planet Venus in the evening. He is the son of the dawn goddess Eos (Roman Aurora) and is the half-brother of her other son, Phosphorus (also called Eosphorus; ... father was Cephalus, a mortal, while Phosphorus' was the star god Astraios.
Who is Lucifer? | GnosticWarrior.com 22 Feb 2013 - The literal meaning of phosphorus (Phosp-Horus = Lucifer) is ... In ancient Egypt is was said; “The body is the house of God,” and one of the ...
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THE LIGHT IS RISING NOW RISING IS THE LIGHT
STRIKE A LIGHT LUCIFER MEETS ITS MATCH
OSIRIS SO IRIS IS
ENTERS THE NETERS
THE ELEMENTS OF EGYPTIAN WISDOM Naomi Ozaniec 1994 THE SACRED SCRIPT - THE MEDU NETERS Page 80 / The logical mind begins to reel / Page 81 / Language as evocation is immensely powerful. Word play is not finished; Neith can also be written by spelling the 't' with the sign for land, ta, in combination with the sign for water, 'n'. This particular hieroglyph represents ruffled water. By spelling the same name in a different way, we are presented with a different set of ideas. Here is Neith as 'the primeval water which gave birth to the land,' a theologically familiar concept. Once again a brief word encapsulates both divine name and divine function. Hieroglyphic omitted Schwaller de Lubicz reminds us repeatedly that we do need to look for a convoluted symbolism. The Medu Neters were chosen in such a way as to really signify all the qualities and functions implicit in the image. We are of course removed from the direct observation of vulture and ibis, crocodile and falcon, It is hard for us to understand the subtleties of movement, habit or life cycle which prompted a recognition deep in the Egyptian mind. It is well known that the humble dung beetle was raised to a sacred status from its simple egg-laying habit. The young emerged from the ball of dung as new life unbegotten. It is less well known that the scarab resembles the human skull, its two wing cases being reminiscent of the two halves of the human skull. The ability to find the cosmic In the mundane through a correspondence is the hallmark of a mind sensitized through symbolic training. Any contemporary Qabalist recognizes this function for what it is, the inner workings of an esoteric system. These brief examples serve to illustrate the workings of both the Egyptian mind and the Egyptian tradition. Each letter had its own secret; all sacred alphabets are constructed in this way. Moreover a sacred language always serves a double purpose, a written double entendre. To the uninitiated there is no secret to hide. The language functions perfectly well at a purely practical level. To the initiated there exists another level of inner meaning as opposed to the apparent meaning. The inner meaning requires no elaborate subterfuge. It is there all the time, open and blatant. 'It / Page 82 / is hidden from view only because it represents a higher non-cerebral consciousness which simply evades the logical mind. The Egyptians preserved this double function with astonishing brilliance and clarity over an immensely long period of time. Hebrew still functions as a sacred alphabet.. Each of its letters signifies ideas, numbers and cosmic principles.. A word becomes a code for an abstraction, a metaphysical concept, an esoteric teaching. An outsider cannot penetrate into the labyrinthine maze of meanings without becoming lost in ideas and distracted by elusive possibilities. A guide is always required in such matters - scribal training took place through an apprenticeship system. It is a mistake to think that we might uncover how the scribes viewed individual hieroglyphs by simply applying any meaning that springs to our mind. It is Clear that individual signs and arrangements carried a precise range of corresponding symbols. Schwaller de Lubicz acts as our guide into the intricacies of an individual hieroglyph in the book Her-Bak. The letter r is written in the lenticular shape of a half open mouth. Now look. for the ideas, qualities and functions this sign represents. First, its nature. The mouth, ra, is the upper opening of the body, an entrance that communicates by two channels with the lungs and stomach; that is why this hieroglyph is also the generic word for an entrance, ra. The mouth opens and shuts to eat, breathe and speak, as the eye, ar.t, opens and shuts to receive or refuse light. The mouth's function is dual, passive and active, it receives air and food, emits breath and voice. The eye's function is dual, likewise 'the reception of light and expression of organic and emotional response. The mouth's shape changes by the separation of the lips for the performance of its function. Opening, it widens or narrows like the shadow thrown on a disc by another disc which gradually eclipses it. In the partially occulted disc, the lentil or dark mouth is the complement of the crescent still visible. This gradual change of shape produces portions of different size that represents parts of the occulted disc. The characteristic has given the name ra to parts of a whole such as numerical fractions, chapters and so forth. Page 83 These profound thoughts revolve around a single letter majestic insights might we discover if only someone would serve as our guide through all the hieroglyphic combinations! Here is a way of thinking quite unlike our own, a mind set removed from our utilitarian use of language. This totally symbolic thinking produced completely practical applications, as we see through Egypt's many lasting achievements there is no grounds whatsoever for thinking that this symbolic system produced woolly mindedness. On the contrary it gave rise to a mind that was both extensive and focused, deep and creative, traditonal yet original.
A HISTORY OF GOD Karen Armstrong 1993 The God of the Mystics Page 250 "Perhaps the most famous of the early Jewish mystical texts is the fifth century Sefer Yezirah (The Book of Creation). There is no attempt to describe the creative process realistically; the account is unashamedly symbolic and shows God creating the world by means of language as though he were writing a book. But language has been entirely transformed and the message of creation is no longer clear. Each letter of the Hebrew alphabet is given a numerical value; by combining the letters with the sacred numbers, rearranging them in endless configurations, the mystic weaned his mind away from the normal connotations of words."
THERE IS NO ATTEMPT MADE TO DESCRIBE THE CREATIVE PROCESS REALISTICALLY THE ACCOUNT IS SYMBOLIC AND SHOWS GOD CREATING THE WORLD BY MEANS OF LANGUAGE AS THOUGH WRITING A BOOK BUT LANGUAGE ENTIRELY TRANSFORMED THE MESSAGE OF CREATION IS CLEAR EACH LETTER OF THE ALPHABET IS GIVEN A NUMERICAL VALUE BY COMBINING THE LETTERS WITH THE SACRED NUMBERS REARRANGING THEM IN ENDLESS CONFIGURATIONS THE MYSTIC WEANED THE MIND AWAY FROM THE NORMAL CONNOTATIONS OF WORDS
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THE LIGHT IS RISING NOW RISING IS THE LIGHT
LIGHT DARK BALANCING TWILIGHT BALANCING DARK LIGHT DARK LIGHT BALANCING TWILIGHT BALANCING LIGHT DARK
THE BALANCING I 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1 I 2 3 4 FIVE 6 7 8 9 9 8 7 6 FIVE 4 3 2 1 I 2 3 4 5 6 7 8 9 9 8 7 6 5 4 3 2 1
PROMETHEUS MET ORPHEUS MET PROMETHEUS
ORPHEUS MET PROMETHEUS MET ORPHEUS MET PROMETHEUS
MORPHEUS
METAMORPHOSIS GODS METAMORPHOSIS 4+5+2+1+4+6+9+7+8+6+1+9+1= 4+5+2+1+4+6+9+7+8+6+1+9+1 METAMORPHOSIS GODS METAMORPHOSIS
Psionics - Wikipedia, the free encyclopedia https://en.wikipedia.org/wiki/Psionics Psionics is the study of paranormal phenomena in relation to the application of electronics. The term comes from psi ('psyche') and the -onics from electronics (machine). It is closely related to the field of radionics. There is no scientific evidence that psionic abilities exist.
ELECTRIC ET CIRCLE ET ELECTRIC
ELECTRIC = ET CIRCLE ET = ELECTRIC
CIRCLE = 50 = CIRCLE CIRCLE = 32 = CIRCLE CIRCLE = 5 = CIRCLE
Graham Hancock 1995 Page 189 1 x 8 x 9 = 72 " The Sun and the Moon and the way of the Dead Pyramid of the Sun, Teotihuacan, Having climbed more than 200 feet up a series of flights of stone stairs I reached the summit and looked towards the zenith. It was midday 19 May, and the sun was directly overhead, and the sun was directly overhead, as it would be again on 25 / Page 190 / July. On these two dates, and not by accident, the west face of the pyramid was oriented precisely to the position of the setting sun. 6 "A more curious but equally deliberate effect could be observed on the equinoxes. 20 March and 22 September. Then the passage of the sun's rays from south to north resulted at noon in the progressive obliteration of a perfectly straight shadow that ran along one of the lower stages of the western facade. The whole process, from complete shadow to complete illumination, took exactly 66.6 seconds. It had done so without fail, year - in year - out, ever since the pyramid had been built and would continue to do so until the giant edifice crumbled into dust. 7 What this meant of course, was that at least one of the many functions of the pyramid had been to serve as a 'perennial clock', precisely signalling the equinoxes and thus facilating calendar corrections as and when necessary for a people apparently obsessed, like the Maya, with the elapse and measuring of time. Another implication was that the master - builders of Teotihuacan must have possessed an enormouse body of astronomic and geodetic data and refferred to this data to set the Sun Pyramid at the precise orientation necessary to achieve the desired equinoctial effects."
Fingerprints Of The Gods Graham Hancock 1995 Page 190 "...The whole process, from complete shadow to complete illumination, took exactly 66.6 seconds."
HOLY BIBLE Scofield References Chapter 13 18 “Here is wisdom. Let him that hath understanding count the num-ber of the beast: for it is the number of a man; and his number is Six hundred three score and six ”
John Michell 1972 Page 137 Chapter Thirteen "666 has been the subject of more comment and speculation than any other cabalistic number, principally on account of the last verse in revelation 13: Here is wisdom. Let him that hath understanding count the number of the beast: for it is the num-ber of a man; and his number is six hundred threescore and six.' In the Greek text the number is spelt in letters,… " "…or 600, 60, 6, . ."
HOLY BIBLE Scofield References Page 401 Kings Chapter 10 B.C. 992. 14 "Now the weight of gold that came to Solomon in one year was six hundred threescore and six talents"
The Lure and Romance of Alchemy C. J. S. Thompson 1990 Page 26 "…There is further evidence given in the Bible of the richness of the country in the precious metal, for it is recorded that the Queen of Sheba brought much gold and precious stones and / Page 27 / gave to King Solomon 120 talents, a sum equivalent to £240,000. The navy of Hiram also brought gold from Ophir, and the weight of gold that came to Solomon in one year was 666 talents,… " "Page 26 Note È 1 Kings x, 10, 14."
FLYING TO 3000 B.C. Pierre Jeannerat 1957 Page 124 "…Enters the Queen of Sheba. "And she gave the king an hundred and twenty talents of gold, and of spices great abundance, and precious stones. . . .Now the weight of gold that came to Solomon in one year was six hundred and three score and six talents of gold;…"
HOLY BIBLE Scofield References Page 380 Chapter 21 B.C. 1021 20 "And there was yet a battle in Gath, where was a man of great stature, that had on every hand six fingers, and on every foot six toes, four and twenty in number; and he also was born to the giant."
COLLINS GEM DICTIONARY OF THE BIBLE Rev James L. Dow 1964 Page 195 "Giant. A race of demi-gods, the Nephilim, comparable to the Titans of classical mythology (Gen 6, 4). Other race names are given to people of remarkable stature who were aboriginal in Palestine before the conquest:" "Goliath of Gath was 9ft. 9 in. tall."
Watch Tower Bible And Tract Society Of Pennsylvania Page 11 " 29 In the following pages the sixty-six books of the Sacred Scriptures are examined in turn. "
HOLY BIBLE Scofield References Page v "...The Bible is a book of books. Sixty-six books make up the one Book. Considered with reference to the unity of the one book the separate books may be regarded as chapters. But that is but one side of the truth, for each of the sixty-six books is complete in itself, and has its own theme and analysis."
FINGERPRINTS OF THE GODS Graham Hancock 1995 Chapter Nineteen Page 153 1 + 5 + 3 = 9 "In Egypt's early dynastic period, more than 4500 years ago, an 'Ennead' of nine omnipotent deities was particularly adored by the priesthood at Heliopolis. 5 Likewise in central America both the Aztecs and the Mayas believed in an all-powerful system of nine deities."
the Pan book of ASTRONOMY Page 63 6 + 3 = 9 "We now know the solar system to consist of nine planets."
GODS Page 161 Few people realise that the 7 days of the week - Sunday to Saturday - were originally named after an astronomical source. Ironically, they derive from the time of Ptolemy in / Page 162 1 + 6 + 2 = 9 / the second century AD and his incorrect theory that the Sun, Moon and five planets revolved around the Earth. Thus were the days named after the Sun (Sunday), the Moon (Monday), Mars (mardi), Mercury (mercredi), Jupiter (jeudi), Venus (vendredi) and Saturn (Saturday / samedi)."
HOLY BIBLE Scofield References Page 809 B.C. 590 JEREMIAH Chapter 33 Verse 3 "Call unto me, and I will answer thee, and shew thee great and mighty things, which thou knowest not" 3 3 + 3 = 36 3 + 6 = 9 3 times 33 equal 99 and 9 add 9 equals 18 and 1 add 8 equal 9 3 add 3 add 3 is 9 3 times 3 times 3 equal 27 and 2 + 7 equal 9
QUEST FOR A THEORY OF EVERYTHING STEPHEN HAWKING Kitty Ferguson 1991 Page 103 33rd line down "The square root of 9 is 3. So we know that the third side"
INTO THE SPIRAL Charles Ashton 1992 Page 120 "I've come to let you in through the door," the creature croaked. "Why, this door ," the voice grated. And they saw the plain wooden boards of a door where the tunnel wall had been. "Where does it go?" Lissie whispered. "Why, it says here on the door, child. Can't you read it?" "There's nothing there," said Lissie, staring at the door. "Look," the lantern bearer rasped, with a black, hollow grin. "It's written on the door. A - M - A-" the bony finger moved across the plain wood of the door as the dry mouth spelled out letters - " Z - E - M - E - N - T. What does that say?" "I don't know," Lissie replied. "It says Amazement!" the ancient mouth roared, as the door burst open in another shower of earth. "IT SAYS AMAZEMENT!" The empty doorway seemed to do a cartwheel towards them. "It says Amazement!" came a third time, muffled now and echoing and mixed with the slamming sound of wood on wood on the "maze" sound. Lissie and Ormand stood alone in a squared corridor of rock, beside a flickering torch fixed into a bracket on the wall." Page123 CHAPTER "INTO THE SPIRAL"
EXTENDED SIMILIES Jenny Joseph 1997 Page 157 The thread But the thread was there, sometimes - he was losing it, losing his thought. Yes, that was the way the thread went, it came and went, elu-sive as thought - now it flashed into focus, now he had it, him sitting reading to his little girl - but he can't have had that book as a child, he hadn't had that sort of childhood. Thinking about the thread, the idea, myth of the thread was a good way to get you applying yourself, persisting, and he had, hadn't he, he'd gone on searching with his dog in the rubble long after the others had given up. So that thinking, which he'd thought he'd come to as a solid thing like chipping away shale and muck to get at a bit, of core, a thing like a lump of coal, usable, source of energy, so that it didn't matter what you thought, it was a rope ladder to get you across somewhere, get you through the mess, something you pretended, no, not pretended - made up? - to be doing to give a reason for going on. Made up. Ah perhaps something you made, engineered, he'd like it when they called him Monsieur l'lngenieur, ingenious. Not for a reason - you don't need a reason for going on, you need a road, a way, ah yes a means. A way of going. That was tautology. You could just say 'a way'. 'Tell Alice' (you think I don't know she's dead, he heard his crafty thought within his head and in the same flash behaved as if he didn't), 'keep her fingers on the golden thread.' If it's all a fancy, if there isn't something that's true, then there isn't untrue and you were back where you were. He was getting there, getting down that path and this time he would get there, he could still breathe he could still tell them even though they couldn't move the rock off him. If there isn't anything that's true, the opposite of true was false. But it couldn't be false because you can't have an opposite to some-thing that doesn't exist. Though what about negative numbers? Page168 Alice was cleverer than he was he should have asked her. But she could never explain things like he could but after all he'd been a teacher. So if no true, no false and nothing true means everything false. Yes, he'd got it. 'Useful,' he said. They bent low pretending they could hear to encourage him to speak some more. Useful. It was all useful. Alice's knitting had been useful. The thread and the rope ladder and the bridge were useful. Useful was much more useful than true. If he had realised that it was his son who was holding his hand he might have tried to speak in his type of hearty old reprobate he'd put on for years for young people and said something in character like 'Bugger the truth' because he knew they thought he thought truth was the pearl so he had it both ways. They would have been his next, last words but he kept his secret from them till the end because he had got beyond the division of time that living beings need in order to negotiate it, to a point where command question statement implying continuing into a future from the past were neither true, false or useful."
THE DEATH OF FOREVER A New Future for Human Consciousness Darryl Reanney (1995 Edition) Page 33 " The laws of physics have no inbuilt time asymmetery.They work just as well in the future-to-past sense as the past-to-future sense. We see this clearly when we look at the quantum wave .The wave is a ripple of possibility, not a real thing It has neither past nor future;it can be described as travelling forwards in time and backward in time with equal validity. This is true not just of the quantum wave. Subatomic particles exhibit the same disregard for time."
The ILLUSIONIST Anita Mason 1983 ABACUS Page 126 `Are you calling me a liar?' Page 127 Joshua began to laugh. It was a 'terrible laugh, high, sharp and mirthless.
The ILLUSIONIST Anita Mason 1983 ABACUS Page 218 Even if he found someone who was not too busy, it was probable the man spoke only Greek. Kepha had a few words of Greek, but they served mainly to construct questions to which he did not understand the answers. Page 218 knife-sharpener x 6
knife sharpened x 1
The ILLUSIONIST Anita Mason 1983 ABACUS Back page In an age in which the advent of the Deliverer was eagerly
The ILLUSIONIST Anita Mason 1983 ABACUS FIRST Page 1 The man stood on a rooftop and faced the rising sun. `First beginning of my beginning ... ' He spoke quietly, as if to himself. `First source of my source, spirit's spirit, fire ... ' His linen sleeves fluttered lightly in the wind blowing in from the Great Sea. `Perfect body of me, moulded by a hand incorruptible in a world devoid of light ... ' The crowd jostled and pointed in the street below. He was not aware of them. He was entirely focused in his will. His voice, no longer consciously directed by him, rose in a chant. He chanted to the hawk of the sun. `May it be right that I, though mortal born of mortal womb, shall in this flesh ascend, through the strength of the immortal spirit in me, borne up by an almighty arm ... ' The will, as it drew tauter, passed beyond supplication. His voice rang out in challenge. 'For I am the Son, I surpass the limit of my souls, I am ...' He paused. Into the pure drop of silence he pronounced the name of God. He stepped forward and upward, like a man ascending a staircase, but on air. He flew. In another age it would not be thought miraculous: all men could fly, but they did not know it. Meanwhile, he was the first. He used his faculty only when it was necessary for purposes of demonstration, and never for personal enjoyment. This was for two reasons. Firstly, he knew that power was likely to be withdrawn if abused. Secondly, the mental preparation was very tiring and it was necessary to fast for twenty-four hours beforehand. Perhaps there was a third reason. Sometimes as he flew he was afraid that he might fall. This feeling was always associated with a certain face half-glimpsed among the spectators: a face which, turned upward like the rest, seemed to look not at him but at something beyond and above him, with a look of strange intent. On closer scrutiny this face had always vanished. He did not pursue the image. The face was curiously like his own.
Page 282/ LAST BUT ONE PAGE IN THE BOOK "...Kepha — 'has perhaps more useful gifts, but you are decidedly more amusing.' `He will tell you, Caesar, that he has no gifts at all. They come from his god.' `Oh dear yes, his god.' He turned languidly back to Kepha. `What sort of god is he, this deity of yours?' Kepha, through Marcus, said that he was a God of love. `Oh, a sort of male Aphrodite?' giggled the emperor. No, said Kepha, it was not that sort of love. It was like the love of a father for his children. `My father was a doddering old fool', said Nero. 'Show me some more magic.' `With Caesar's permission', said Simon. There was no point in prolonging the comedy. He walked to the window. The gardens, the fountains and the tiled roofs of Rome lay below him. Above, the blue sky was fading. `With Caesar's permission,' said Simon, 'I shall perform for his entertainment a feat which has never before been witnessed in Rome.' `I think Caesar will find it very amusing.' `Then you have my permission.' Simon turned to look at Kepha. `Do you understand?' he said. Kepha was pale, but his eyes were expressionless. Simon stepped through the window on to the balcony. He climbed on to the low balustrade and stood for a moment gazing at the sun. The day was drawing into evening. After evening would come night; and after night, day. He stared into the eternal sun. He was not conscious of the moment when his feet lifted, or of the three figures first behind and then below him on the balcony, craning upward. He was not conscious of the shouting. He heard the silence. He felt the peace of the drifting air. He was aware, in the instant when it began to happen, that he was falling. He fell with arms outstretched, motionless in his fall, as if transfixed to an invisible, plummeting cross. He saw, as he fell, the sunlight glance on a pool of water in the palace gardens and break into an infinity of tiny mirrors. As the body struck the ground, Kepha ceased praying. Beside him, the emperor laughed like a cat. 'Extraordinary. I shall never understand you people', he said.
LAST Page 283/ A hundred and thirty years after its annexation, and fourteen years after the appointment of the procurator Felix, the province of Judaea broke into open revolt. Four years of bitter fighting ensued. When they ended, the holy city lay in rubble and the Temple had been razed to the ground. The spirit of the people was not crushed. Unrest was still continuing sixty years later when an emperor, hoping thereby to destroy a faith which had caused so much trouble, prohibited circumcision. The response was a second rebellion. It was bloodily suppressed, and followed by exemplary punishment: The religious capital was rebuilt as a pagan city and its own people were denied entry to it. A heathen shrine rose on the site of the Temple. The city, and the province itself, were renamed. The past ceased to exist. The sect which believed that the end of the world was at hand was in a sense correct. It had simply attached the wrong value to the term 'world'. Thus what happened was the reverse of its expectation. The destruction was confined to the matrix in which the sect was rooted. The sect had to transplant or die. It did both. The successful transplant bore — many said — no relation to the native growth: it was a devilish impersonation. The voices of these critics soon faded into oblivion. Down the centuries, oblivion overtook most of the enemies of the sect. Occasionally the process had to be helped. There were many methods, of which a tampering with history was the mildest and in the long run the most effective. The sect justified its defensive measures by the importance of the message it taught. To maintain that message intact, it must survive. When critics enquired into the truth of the message, it pointed to its survival as proof of the veracity of its teaching. The argument was pleasingly economical. If the entire structure rested, as it eventually did, on a mythologising of history, the sect might have remarked with perfect truth that it was quite impossible to know what had really happened and that any version of history is a myth in any case. It never did say that, for some reason.
THE GOOD MAN JESUS AND THE SCOUNDREL CHRIST Phillip Pullman 2010 Page 41 'But think of what an effect it would have if someone were to go to the top of the temple, say, and to step off into the air, full of faith that God would do what it says in the psalms, and send his angels to catch him. "He has commanded his angels to guard you wherever you go, and they /page 42/ will hold you in their arms so that you will not dash your foot against a stone."
I Believe I Can Fly - R. Kelly - Lyrics I used to think that I could not go on If I can see it, then I can do it [1] - I believe I can fly See I was on the verge of breaking down If I can see it, then I can be it [Repeat 1] Hey, cuz I believe in me, oh If I can see it, then I can do it [Repeat 1] Hey, if I just spread my wings
Daedalus - Wikipedia, the free encyclopedia In Greek mythology, Daedalus was a skillful craftsman and artist. He is the father of Icarus, the uncle of Perdix and ... Daedalus and Icarus Daedalus and Icarus, c. 1645, by Charles Le Brun (1619–1690) They had passed Samos, Delos and Lebynthos by the time the boy, forgetting himself, began to soar upward toward the sun. The blazing sun softened the wax that held the feathers together and they came off. Icarus quickly fell in the sea and drowned. His father cried, bitterly lamenting his own arts, and called the land near the place where Icarus fell into the ocean Icaria in memory of his child. Some time later, the goddess Athena visited Daedalus and gave him wings, telling him to fly like a god. An early image of winged Daedalus appears on an Etruscan jug of ca 630 BC found at Cerveteri, where a winged figure captioned Taitale appears on one side of the vessel, paired on the other side, uniquely, with Metaia, Medea:[21] "its linking of these two mythical figures is unparalleled," Robin Lane Fox observes: "The link was probably based on their wondrous, miraculous art. Magically, Daedalus could fly, and magically Medea was able to rejuvenate the old (the scene on the jug seems to show her doing just this)".[22] The image of Daedalus demonstrates that he was already well known in the West. Sicily[edit] Further to the west Daedalus arrived safely in Sicily, in the care of King Cocalus of Kamikos on the island's south coast; there Daedalus built a temple to Apollo, and hung up his wings, an offering to the god. In an invention of Virgil (Aeneid VI), Daedalus flies to Cumae and founds his temple there, rather than in Sicily; long afterwards Aeneas confronts the sculpted golden doors of the temple. Minos, meanwhile, searched for Daedalus by travelling from city to city asking a riddle. He presented a spiral seashell and asked for a string to be run through it. When he reached Kamikos, King Cocalus, knowing Daedalus would be able to solve the riddle, privately fetched the old man to him. He tied the string to an ant which, lured by a drop of honey at one end, walked through the seashell stringing it all the way through. Minos then knew Daedalus was in the court of King Cocalus and demanded he be handed over. Cocalus managed to convince Minos to take a bath first, where Cocalus' daughters killed Minos. In some versions, Daedalus himself poured boiling water on Minos and killed him. The anecdotes are literary, and late; however, in the founding tales of the Greek colony of Gela, founded in the 680s on the southwest coast of Sicily, a tradition was preserved that the Greeks had seized cult images wrought by Daedalus from their local predecessors, the Sicani.[23]
DAEDALUS DEAD ALL US DEAD DAEDALUS
Artist: Dougie Maclean But these broken wings won’t fly And oh how we laugh, maybe we should crawl But these broken wings won’t fly Girl child, you’re dancing with the stream But these broken wings won’t fly
HOLY BIBLE Scofield References Page 1342 C 13 V 18 HERE IS WISDOM. LET HIM THAT HATH UNDERSTANDING COUNT THE NUMBER OF THE BEAST: FOR IT IS THE NUMBER OF A MAN AND HIS NUMBER IS SIX HUNDRED THREE SCORE AND SIX
BABA O'RILEY Out here in the fields,
Daily Mail, Thursday, June 16, 2016 Page 68 ANSWERS TO CORRESPONDENTS Compiled by Charles Legge The key to a rock anthem QUESTION On what type of keyboard/organ was the opening strains of Baba O'Riley played? BABA O'Riley was the opening track to The Who's album Who's Next (1971), and its pulsating keyboard intro is one of the most instantly recognisable soundbites in rock history. It is known to modern TV audiences as the theme tune to the U.S. forensic drama CSI: New York. Songwriter Pete Townshend wrote the song about the Woodstock festival, where many audience members had overdosed on LSD, hence the refrain: 'Teenage Wasteland, yes! We're all wasted!' The music was part of Townshend's Lifehouse project where he inputted physical data from various subjects (height, weight etc.) into a synthesiser to produce a sound that represented them. In this case, the subjects were two of his heroes: the Indian spiritual leader Meher Baba and U.S. composer Terry Riley — hence the title of the track Baba O'Riley. Many believe the Baba O'Riley sound came from one of Townshend's massive ARP synthesisers. It was actually a home organ called the Lowrey Berkshire Deluxe, model TBO-1. To generate the sound, he used a setting called 'marimba repeat'. This is different from a normal repeat effect in that certain notes are repeated either on or off the beat creating a much more complicated repeat pattern" Mike Luther, Worcester.
Oh Jean I'd never been lucky with girls I confess But Jean, Oh Jean, You let me get lucky with you The first time I met you it did cross my mind Oh Jean, Oh Jean, you let me get lucky with you Love her, I love her, I love her I want you forever I want you for good Cause Jean, Oh Jean, you let me get lucky with you Love her, I love her, I love her I love her, I love her I love her I love her I love love her, I love her, I love her, I love love her, love her, love her, love The Proclaimers Sunshine on Leith (1988) https://www.youtube.com/watch?v=rrS1H4uCV9A
IN TUNE WITH THE INFINITE OR FULLNESS OF PEACE POWER AND PLENTY Ralph Waldo Emerson 1906 Preface "There is a golden thread that runs through every religion in the world. There is a golden thread that runs through the lives and the teachings of all the prophets, seers, sages, and saviours in the world's history, through the lives of all men and women of truly great and lasting power. All that they have ever done or attained to has been done. in full accordance with law. What one has done, all may do. This same golden thread must enter into the lives of all who today, in this busy work-a-day world of ours, would exchange impotence for power, weakness and suffering for abounding health and strength, pain and unrest for perfect peace, poverty of whatever nature for fullness and plenty. Each is building his own world. We both build from within and we attract from without. Thought is the force with which we build, for thoughts are forces. Like builds like and like attracts like. In the degree that thought is spiritualized does it become more subtle and powerful in its workings. This spiritualizing is in accordance with law and is within the power of all. Everything is first worked out in the unseen before it is manifested in the seen, in the ideal before it is realized in the real, in the spiritual before it shows forth in the materiaL The realm of the unseen is the realm of cause. The realm of the. seen is the realm of effect. The nature of effect is always determined and conditioned by the nature of its cause. To point out the great facts in connection with, and the great laws underlying the workings of the interior, spiritual, thought forces, to point them out so simply and so clearly that even a child can understand, is the author's aim. To point them out so simply and so clearly that all can grasp them, that an can take them and infuse them into every-day life, so as to mould it in all its details in accordance with what they would have it, is his purpose. That life can be thus moulded by them is not a matter of mere speculation or theory with him, but a matter of positive knowledge. There is a divine sequence running throughout the universe. Within and above and below the human will incessantly works the Divine will. To come into harmony with it and thereby with all the higher laws and forces, to come then into league and to work in conjunction with them, in order that they can work in league and in conjunction with us. is to come into the chain of this wonderful sequence. This is the secret of all success. This is to come. into the possession of unknown riches, into the realization of undreamed - of powers." Brahma If the red slayer think he slays, Or if the slain think he is slain They know not well the subtle ways I keep and pass and turn again. Ralph Waldo Emerson
Thomas Mann 1924 Page 511 / 512 "The learner must be of daunt-less courage and athirst for knowledge, to speak in the style of our theme. The grave, the sepulchre, has always been the emblem of initiation into the society. The neophyte coveting admission to the mysteries must always preserve undaunted courage in the face of their terrors; it is the purpose of the order that he should be tested in them ,led down into and made to linger among them,and later fetched up from them by the hand of an unknown Brother. Hence the winding passages, the dark vaults , through which the novice is made to wander; the black cloth with which the Hall of Strict Observance was hung , the cult of the sarcophagus , which played so important a role in the ceremonial of meetings and initia-tions. The path of mysteries and purification was encompassed by /dangers, it led through the pangs of death , through the kingdom of dissolution; and the learner, the neophyte, is youth itself, thirsting after the miracles of life, clamouring to be quickened to a demonic capacity of experience, and led by shrouded forms which are the shadowing forth of the mystery." The Magic Mountain Page726 / 727 "…in the course of his experiences, overcomes his inborn attraction to death and arrives at an Page 727 " "... The Quester legend " "...the eternal seeker, is a group of compositions generally known as the Sangraal or Holy Grail romances. Their hero be it Gawain or Galahad or Perceval, is the seeker, the quester, who ranges heaven and hell , makes terms with them, and strikes a pact with the unknown, with sickness and evil, with death and the other world, with the supernatural, the world that in the Magic Mountain is called 'questionable'. He is forever searching for the grail - that is to say, the Highest: knowledge, wisdom, consecration, the philosophers' stone, the aurum potabile, the elixir of life." Page 728 "The Quester of the Grail Legend, at the beginning of his wanderings, is often called a fool, a great fool, a guileless fool." Page728 "The seeker of the Grail, before he arrives at the Sacred Castle, has to undergo various frightful and mysterious ordeals in a wayside chapel called the Atre Perilleux. Probably these ordeals were originally rites of initiation, conditions of the permission to approach the esoteric mystery; the idea of knowledge, wisdom, is always bound up with the 'other world,' with night and death." Page 728 "In The Magic Mountain there is a great deal said of an alche-mistic, hermetic pedagogy, of Page728 "...-who voluntarily, all too voluntarily embraces disease and death, because its very first contact with them gives promise of extraordinary enlightenment and adventurous advancement, bound up, of course, with correspondingly great risks." Page 728/9 "And perhaps you will find out what the Grail is; the knowledge and the wisdom, the consecration the highest reward, for which not only the foolish hero but the book itself is seeking." Page 729 "It is the idea of the human being, the conception of a future humanity that has passed through and survived the profoundest knowledge of disease and death. The Grail is a mystery, but humanity is a mystery too. For man himself is a mystery, and all humanity rest upon reverence before the mystery that is man."
HOLY BIBLE Page 1117 A.D. 30.
IN SEARCH OF THE MIRACULOUS Fragments of an Unknown Teaching P.D.Oupensky 1878- 1947 Page 217 " 'A man may be born, but in order to be born he must first die, and in order to die he must first awake.' " Thus spake the prophet Gurdjieff
WAY OF THE PEACEFUL WARRIOR A BOOK THAT CHANGES LIVES Dan Millman 1980 Page 44 "...do you recall that I told you we must work on changing your mind before you can see the warrior's way? / Page 45 / "Yes, but I really don't think. . ."
John Donne (22 January 1572 – 31 March 1631) was a Jacobean metaphysical poet. His works include sonnets, love poetry, religious poems, Latin translations, epigrams, elegies, songs, and sermons. Olde English Version MEDITATION XVII 'No Man is an Island'
CHEIRO'S BOOK OF NUMBERS Page106 "The question has been asked again and again, Is there some means of knowing when the moment has come to take the tide at the flood??
THE QUESTION HAS BEEN ASKED AGAIN AND AGAIN IS THERE SOME MEANS OF KNOWING WHEN THE MOMENT HAS COME TO TAKE THE TIDE AT THE FLOOD
CITY OF REVELATION Page 78 "A remarkable use of the number 3168 occurs in Plato's account in Book V of Laws"
JUST SIX NUMBERS Page 24 Chapter 2 " A proton is 1,836 times heavier than an electron, and the number 1,836 would have the same connotations to any 'intelligence'"
YOU ARE GOING ON A JOURNEY A VERY SPECIAL JOURNEY DO HAVE A PLEASANT JOURNEY DO
KEEPER OF GENESIS A QUEST FOR THE HIDDEN LEGACY OF MANKIND Robert Bauval Graham Hancock 1996 Page 254 "...Is there in any sense an interstellar Rosetta Stone? We believe there is a common language that all technical civilizations, no matter how different, must have. That common language is science and mathematics. The laws of Nature are the same everywhere:..."
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